#Marcia Bassett & Samara Lubelski

[dustedmagazine]

Dust, Volume 10, Number 7

Obsessed with Congo Funk in this month's dust

Without getting too deep into American electoral politics, let’s just say that we’ve been distracted lately.  We’ve been mired in the slough of despair, frantic in our bargaining with god and lately, a feeling fresh breeze of optimism—it’s been so long, we hardly recognized it.  But despite all that, the records keep coming, and we do our best to deal with them, not always with a fulsome 300-400 word review, but sometimes briefly, as here, in another edition of Dust.  This month, we cover the run of it, from fictional characters that somehow participate in bands, to guitarists on synth holiday to vintage Swedish death metal reissued and more.  Participants this time out include Jennifer Kelly, Byron Hayes, Bill Meyer, Jonathan Shaw, Christian Carey, Andrew Forell, Roz Milner and Ian Mathers. 

Apifera — Keep the Outside Open (Stones Throw)

Four Israeli jazzmen take a jaunt through psychedelic rock and prog, incorporating trippy vocals and squalling synth runs into a space-age fusion.  The musicians— Nitai Hershkovits on keyboards, the beatmaker (and evident link to Stones Throw) Yuvi Havkin, drummer Amir Bresler and guitarist Yonatan Albalak—have spent their careers crossing jazz with funk, hip hop and rock.   Here they push it even further with vocal tracks that hardly sound like jazz at all.  Trippy “Iris Is Neil,” for instance, delivers the title phrase in a keening vocal chant, as explosions of percussion go off like firecrackers on a string.  Squiggles of synth, arcs of electric guitar reach for the epic, but in a manner more like Yes or ELP than Return to Forever.  “Lucky Zoe” delves further into psychedelic pop, its wavery keyboards framing fanciful whimsies a la “Lucy in the Sky.”  “Theodor Marmalade” thumps a funky beat behind flourishes of keys and vocal narratives about desert fauna.  “Don’t you want to see the floating lights?” the cut inquires, and yes, I can just about make out strange, glowing objects in the sky. The instrumental pieces have a more conventionally jazzy feel; “I Love ECM” makes it case with light-fingered syncopations on rims and cymbals, liquid loops of bass and ice-chilled runs of electric keyboard.  “Sera Sam,” at the end, brings on the trumpeter Avishai Cohen for a lyrical turn.   

Jennifer Kelly

Majesty Crush — Butterflies Don’t Go Away

(Numero Group)

Butterflies Don't Go Away by Majesty Crush

A double LP or digital download from Detroit’s own Majesty Crush, the motor city’s answer to the sounds coming out on 4AD. With dreamy vocals by David Stroughter about being an obsessive fan or about bad relationships and a rhythm section kicking up a swirl of noise around him, Majesty Crush brings to mind about a dozen English bands without feeling particularly in debt to any specific group. Occasionally the guitar makes a really cool, almost crunchy sound, but mostly the music moves in the fog, blanketing the vocals in layers of distortion. They lack the fey lyricism of the Cocteau Twins or the dreamy harmonies of Lush but guitarist Michel Segal holds his own against Kevin Shields’s sheets of sound. Meanwhile, they invoke David Hinckley on “No. 1 Fan,” wake up with a bottle and a cigar in hand on “Brand” and dip into ambient spaces on three small interludes. The first half is made of their lone album Love 15, while sides three and four contain an early EP and singles, putting pretty much their entire catalog into one handy set. These Detroit guys seem unjustly forgotten, but thankfully Numero’s made their music easy to find.

Roz Milner

Dennis Callaci & Heimito Künst — First Light (Pass Without Trace)

Heimito Künst is one of many characters in Chilean novelist Roberto Bolaño’s The Savage Detectives, a tangled multi-narrative epic. The enigmatic Italian musician who produced the sounds underpinning First Light has adopted Heimito Künst as his pseudonym, likely in reference to the knotty soundscapes he builds from organs, synths and field recordings. On paper, Dennis Callaci’s lyrics and vocals seem like an odd pairing for Künst’s oblique audio collages. Callaci is half of the long-running lo-fi pop project Refrigerator and has helmed the Shrimper label for over three decades. His signature mid-range nasal utterances, more spoken than sung, populate the extraterrestrial ecosystems of Künst like strange seedlings peeping up from beneath loamy soil. First Light serves as a bridge between the mysterious and the familiar, another worthy entry in Callaci’s discography and a port of entry into an unknown artist’s body of work. 

Bryon Hayes

Buck Curran — The Long Distance (Eiderdown/Obsolete)

Buck Curran is a guitar devotee. He’s a fluent player, a custodian of historic instruments, a chronicler of esteemed players and a compiler of albums that pay tribute to others. But sometimes a guy just needs a change of pace; enter The Long Distance. Mostly competed in a single night, it’s Curran’s holiday from the guitar. Instead, he plays analog synthesizer, layering sweeping tones and helicopter-rotor cadences into something rather like a lost Tangerine Dream album. Curran explains in the album notes that each piece is connected to a memory of a person or place, which may explain the melodies’ intimations of yearning and melancholy. But if you’re not Curran, they might evoke other associations; this music could easily be repurposed for film soundtracks.

Bill Meyer

Rhodri Davies — Telyn Wrachïod (Amgen)

Back in the mid-20th century, kids motorized their bikes with clothes pins and playing cards. The customization might not have yielded much additional propulsion, but the sound was cool. It turns out that they were simply following in the footsteps of 16th century Welsh harpists, who attached brays (slips of wood) to their strings to get a loud, buzzing sound. Rhodri Davies has explored the harp’s options in all manner of settings — Fluxus happenings, minimalist compositions, rock bands, free improv ensembles, the list goes on. Recently he’s commissioned speculative recreations of instruments from centuries ago, which he then uses to play the sort of short, wheels-within-wheels pieces that he formerly played with instruments amplified to a Konono No. 1-level of distortion.  On Telyn Wrachïod he turns to the bray harp, which sounds rather like a cross between a banjo and a sitar. Each of its 12 tracks is spiky but so engrossing that you might find yourself hitting repeat a few times before you move on to the next one.

Bill Meyer

Desultory — Darkness Falls (The Early Years) (Darkness Shall Rise)

The repackaging and re-release of underground metal’s extensive archive of hyper-obscure demos and records continues apace. Darkness Falls (The Early Years) collects three demos from Swedish death metal outfit Desultory, originally independently issued on cassettes between 1990 and 1992. The record’s principal interest is its documentation of the sonic flexibility that informed the term “death metal” in the early 1990s; there’s just as much lightning thrash in these songs as there is moldering morbidity, especially the four engaging tracks on the band’s first demo, From Beyond (1990). The title track is especially pleasurable, in its sprinting, bludgeoning fashion — and this reviewer notes the added benefit of the title’s reference to an excellent H. P. Lovecraft story (is that you, Cthulhu?). Swedeath completists take heed. For the rest of us, it’s a fun release, and of some historical interest. Its relative necessity is open to debate — but hey, we didn’t really need that reissue version of Pig Destroyer’s Painter of Dead Girls on “black ice with metallic silver glitter” vinyl, either. Maybe Darkness Shall Rise should get some points for only releasing four different product versions of Darkness Falls….

Jonathan Shaw

Devouring the Guilt — Not To Want To Say (Kettle Hole)

Devouring The Guilt is a Chicago-associated (meaning two members live there and one moved away but remains connected) improvising trio. The line-up is pretty classic — Gerrit Hatcher on tenor sax, Eli Namay on bass, Bill Harris on drums. And so are the trio’s roots. Hatcher summons a burly tone, steers mostly clear of extended techniques, and gives occasional nods to free jazz heroes like Archie Shepp, Frank Wright and Frank Lowe. These familiar parameters establish a framework to display their collective originality, which lies in the personal vernacular they’ve fashioned. Namay is an alternately pithy and seething presence, plucking spare, structure-defining figures or bowing a maelstrom of woody sound. Harris pushes back against expectations that the drums should push the music forward by punctuating his clearly articulated attack with lots of negative space. Hatcher situates lyricism in long, understated tones and vigorously masticated phases, but also navigates unpredictably through the tight corners and sudden gaps that the other two set up.

Bill Meyer

Carol Genetti / Peter Maunu — Gleaners (Amalgam)

No matter how you approach it, Gleaners will stretch your mind. Just what are Carol Genetti (voice, electronics) and Peter Maunu (guitar, violin, mandolin) gleaning? Not other people’s music, that’s for sure. Maybe the languages of long-extinct species, confidences exchanged between dusty appliances that come to life after the staff leaves the thrift shop, ideas about what instruments might sound like if you see them in pictures. Even when Maunu resorts to rock-ish fuzztones or Genetti exhales an unspooling coo, their co-creations are resolutely sui generis.  Their partnership has been honed through years of regular performance, often with other Chicago-based musicians, which likely explains the brisk confidence that this resolutely abstract music exudes. Genetti is a ceramic artist as well as a musician, and the physical manifestation of this album comes in two forms. She made ten one-of-a-kind clay cases that you can mount on a wall; the regular CDs come in a folio adorned with close-ups of the art edition.

Bill Meyer

Dave Douglas — GIFTS (Greenleaf Music)

GIFTS by Dave Douglas

With sizzling guitar lines and a frontline horn duo of Douglas and James Brandon Lewis, you’d think it would be easy for this to be a mere blowing session. But it’s not. The music is frequently introspective and has a very ECM kind of ambience: it has this wide-angle sonic clarity where each instrument has room to breathe and let their notes slowly linger. The suite of Strayhorn songs in the middle doesn’t feel tired, either. Rafiq Bhatia’s chugging guitar keeps “Take the A Train” moving while Douglas and Lewis move in sync for the theme. When they stretch out, they’re sometimes playing against each other but always seem like they’re on the same page. Meanwhile Bhatia’s playing draws on Bill Frisell, making up for the lack of a low end with well-placed chords and sonic textures. These four make the music their own and it’s one of the year's most rewarding jazz records. 

Roz Milner

Samara Lubelski & Marcia Bassett — Indexical/Rhizome (Relative Pitch)

Samara Lubelski and Marcia Bassett are both well-established members of the U.S. scene that engendered the moniker “new weird America” back in the early aughts. Both have CVs that stretch on for miles. Lubelski is best known as a star in the MV&EE solar system, while Bassett churns out murkier sound pools in a variety of projects, such as Double Leopards and Hototogisu. The pair have a long-standing partnership unfurling phosphorescent drone webs through guitar and violin. This is their eighth recording, and it presents two extended string seances that coax electric spirit whisps from unseen worlds. “Indexical” is the lengthier of the pair and features zoned out but controlled guitar howl from Bassett alongside Lubelski’s rapid bowing. The undulations intertwine to become a radiant lattice of sound. Alien timbres infect “Rhizome,” which sways between a noise-drone wall of sound and hushed electronic whispers. Both are live recordings, showing off the raw magic that this pair of string sirens can conjure.

Bryon Hayes

Joe McPhee With Ken Vandermark — Musings Of A Bahamian Son (Corbett Vs. Dempsey)

Joe McPhee’s been toting folders full of poems and brief musings to gigs for years, but in recent years they’ve assumed an increasingly prominent place in his performances. Now, he’s finally put 28 of them on record, punctuated with nine short soprano sax/clarinet interludes that he improvised with Ken Vandermark. Oppression gets defied, history acknowledged, but most of all, love gets its due. McPhee muses about folks from the neighborhood, jazz heroes that inspired him, old friends now gone, and the balm and galvanization imparted by music itself. Abstract but tender, the interludes amplify this sentiment, showing by example how much appreciation for life and fellowship can be invested in a few tones.

Bill Meyer

Kate Nash — 9 Sad Symphonies (Kill Rock Stars)

On 9 Sad Symphonies, Kate Nash leans into her musical theater background, with skillfully crafted arrangements that incorporate classical orchestrations reminiscent of the film musicals from the 1930s-1950s.  As on most of her albums, she tweaks her sound and musical partners, here working with producer Frederik Thaae. There is a sauciness to her lyrics, which even go so far as describing lunch breaks in toilets. All is not a lark. Nash seeks to exorcize personal demons on “Vampyre” and “My Bile '' is a bracing assessment of a broken relationship. 9 Sad Symphonies may have a bucolic surface, but the singer-songwriter ventures down dark pathways where stars of the Silver Screen would have likely feared to go.

Christian Carey

Occulta Veritas — Irreducible Fear of the Sublime (I, Voidhanger)

Occulta Veritas plays an avant-garde variety of black metal, long on complexity and idiosyncratic compositional sensibilities. It’s abrasive and disorienting, and not especially fun to listen to — which yes, that’s the point, but there’s a huge amount of this sort of thing circulating through the metal underground at any given point, and deliberately distancing music from listeners’ parameters for pleasure can be a tough prospect in that oversaturated context. For this reviewer, the record’s engagement with the theoretical concepts of Jacques Lacan (big-deal psychoanalyst, post-structural Daddy and important player in France’s academic politics of the mid-20th century) helps Irreducible Fear of the Sublime stand out. It’s pretty great that one of the songs is called “Metonimia,” since Lacan’s projection of metonymy along a diachronic axis of spatio-temporal relations fits the music’s tortured snarls and chaotic, off-kilter arrangements. The utterances want to go somewhere, but the structures those utterances are trapped in make meaningful progress a near impossibility. It would be even better to have a lyric sheet, to get more than just the tantalizing engagements with Lacan provided in song titles (“The Mirror Stage,” “Bound to Incompleteness” and so on). There’s an overheated quality to the record that’s additionally compelling: This is your brain; this is your brain on Lacan. But it would be useful to know what specific ideas accompany specific sounds and turns in the music’s syntax. Or is it all just sound and fury, signifying nothing?

Jonathan Shaw

J. Pavone String Ensemble

Reverse Bloom by Jessica Pavone

The current edition of Jessia Pavone’s String Ensemble is reduced to essentials. There are just three players including Pavone, who plays viola, Aimée Niemann on violin, and Abby Swidler switching between those two instruments. The language is likewise paired down on Reverse Bloom. The first two pieces (of four) emphasize long tones that hiss and sigh at a deliberate pace, evoking an uneasy state. “Obstructed Current” pushes against the prevailing vibe with jolting, energetic phrases that move joltingly out of synch. The closing piece, “Embers Slumber,” likewise explores contrasting elements, which resolve by settling into a deliberate, belly-breathing rhythm. The album charts a course towards a grounded state that’s not so much a happy ending as a sonic enactment of the honest word that gets you through.

Bill Meyer

Keith Rowe / Gerard Lebik — Dry Mountain (Inexhaustible Editions)

Dry Mountain by Keith Rowe / Gerard Lebik

Despite having his name on the spine, Keith Rowe did not play on this record. However, he did originate the process of sound (re)imagining that it presents, and his cover image of a wiggling digit raises the question — how deep does a fingerprint go? The score of Dry Mountain originated from the imprint Rowe’s gear left on a sheet of paper. Rowe and Gerard Lebik interpreted that score and then handed a recording of their performance to three visual artists, who created their own scores based on what they heard. These scores were then played by the group of electronics, string, and percussion players heard on this album while listeners drew responses to the music, which they then handed to the musicians, who played them on the spot. The further you get from the first piece heard, the further the music gets from Rowe’s sound world; in a reversal of Alvin Lucier’s I Am Sitting In A Room, the music gets segmented and defined.

Bill Meyer

D. Sablu — No True Silence  (Yes We Cannibal)

No True Silence by D.SABLU

D. Sablu is a New Orleans punk lifer, late of Casual Burns and Feverish, but forced (or inspired or motivated) by COVID to strike out on his own.  No True Silence is Sablu’s first full-length, and it’s a killer, a slaughterhouse frenzy of punk /garage/ hardcore and a little metal, all chopped up with chainsaws and spraying all over the walls.  Indeed, you’ll have to stand well back from the player when you first put the record on, because it leads with “Bomber Stomp,” a two-minute assault of lumbering, heavy punk that sways noticeably as it comes down on the ones and twos.  Sablu lets off a howl near the end that raises the hairs on my neck, because it’s so sulfurous and tortured.  “69 Forever” lights a new wave hook on fire with a blowtorch; it’s catchy as hell but blows you back with sheer volume and aggression.  The brief “World Peace” is pure, adrenalized chaos, drums galloping wildly, guitars flaring, bass buzzing and Sablu screaming “World pee-eeea-eace!” like a banshee.  Fun stuff.  Turn it up.

Jennifer Kelly

Mark Sims — Take Me Faster (Carousel Horse Records, Old 3-C Label Group, Anyway)

Take Me Faster by Mark Sims

Deindustrialization has hollowed out the Midwest’s economy, leaving shuttered factories and empty main streets all across the central American states.  Mark Sims, a bricklayer when he’s not performing, sings with the soft, wry melancholy of a man left behind by tectonic shifts, finding solace in well-turned melodies and plain-spoken turns of phrase.  It was fashionable half a decade ago to interview Ohioans in diners about their economic circumstances; Take Me Faster provides the same sort of snapshot of dislocation and disappearing opportunity.

For instance, in “Hold On To Me,” the narrator is driving long-distance to a job somewhere, trying to find a song on the radio and thinking about home.   “Money comes and goes so quickly/I could work a million hours/and still be broke when I die,” Sims confides, against a radiant lattice of picking. The song is unassuming, and kind of perfect, a distillation of the struggle to stay connected and human in a low-wage high-uncertainty economy.

The songs are simply arranged, a mesh of Sims’ dusky, resonant voice and acoustic guitar, mostly, with a little synth in the background for texture.  And yet, this is more than enough, as on the haunting “I’m Always by Your Side,” where Sims’  voice lifts up through the sadness, fluttering soulfully in the upper registers before drifting back to earth.  These songs don’t pull any tricks or do any somersaults, but they’re satisfying all the same. 

Jennifer Kelly

Jason Stein / Marilyn Crispell / Damon Smith / Adam Shead — Spi-raling Horn (Balance Point Acoustics/Irritable Mystic)

spi-raling horn by Jason Stein, Marilyn Crispell, Damon Smith, Adam Shead

The trio of Shead, Stein, and Smith first convened with the former two’s duo shared a bill with Smith. They recognized in each other a common aesthetic intent, a shared wish to improvise within a particular set of parameters; there’s no predetermined material, but a collective intention not to be confined to jazz. They’ve all listened closely to the great 20th century European free improvisers, and part of what they’ve taken from them is an intent to fashion their own language. There’s no soloing here, although occasionally someone will drop out if that’s what the music requires. And when they invite a fourth musician into the action, they participate as an equal contributor, not a featured guest. Marilyn Crispell’s associations with musicians as disparate as Barry Guy, Anthony Braxton and Joe Lovano reveal her to be an artist similarly concerned with fluent exchange, not ego-boosting display. But she’s also a stern bringer of velocity and complexity on this recording, which is the studio half of a single brief encounter which took place in Chicago in the middle of 2023. Dense assertion, abrasive texture, and bursting co-existence cohere into a seven-part sequence of collaborative invention.

Bill Meyer

SUSS — Birds & Beasts (Northern Spy)

Birds & Beasts by SUSS

Gorgeous hovering tones of pedal steel, guitar (with e bow), keyboards and synths coalesce in these cuts, each a glowing, vibrating meditation on the beauty and fragility of the natural world.  SUSS, from New York City, explores many of the same haunted textures as Chuck Johnson and Pan*American, letting sustained notes linger in shimmering layers of slow-moving sound.  “Overstory” encases picked acoustic notes in a translucent amber of pedal steel arcs and violin, letting the sound grow as slowly—and as enormously—as old growth forest.  “Flight” follows a more pronounced rhythm than other cuts, its steady pulse of strumming beating like wings on a long trip south.  The disc is not all sunshine, however.  “Prey” lurks in ominous buzzes and hums of feedback, building threat into dark-toned dissonance and animal screeches into wails of guitar.  The long closer, “Migration,” pulls taut with anticipation, its beat like a metronome, its melody unfurling in the wheeze of harmonica and the shifting twang of pedal steel.  SUSS often gets tagged as cosmic country, but which country?  Unearthly, luminous and beautiful. 

Jennifer Kelly

Their Divine Nerve — Return of the Lamb (Staalplaat)

The Return of the Lamb by Their Divine Nerve

Dmytro Fedorenko and Jeff Surak have been collaborating for about 20 years now, but this first album as Their Divine Nerve appears to be the first time the self-described “Ukrainian-American noise duo” have collaborated on record at length. But right from the churning, thumping 14+ minute opener “The Infinity Book” here it’s clear that their long association has led to a certain sympatico comfort with each other. Whether on the more overtly aggressive shredding (not guitar riffs, actual shredding) of “Glowing Skulls” or the more pensive, droning likes of “Dignityphobia,” here the pair have arranged a rich, expansive (71 minutes on CD, plus about another half hour in bonus material on digital) feast for anyone looking to add some variety to their noise diet. By the time the CD thunders and shudders to a half with “Civilization Was Never Civilized” the listener may not know anything more about the titular lamb, but it’s clear its return is momentous indeed.

Ian Mathers

Various Artists — Congo Funk: Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (Analog Africa)

Congo Funk! - Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (Analog Africa No. 38) by Analog Africa

Mobutu Sese Seko was a murderous tyrant, but he changed African music forever when he invited James Brown to play Zaire 74,  the three-day musical festival put on alongside George Forman and Muhammed Ali’s epic Rumble in the Jungle.  American funk transformed an already vibrant musical scene like a chemical catalyst setting off an explosion of electrified, psychedelic soul in Kinshasa and Brazzaville.  Congo Funk! collects 14 incendiary cuts from the 1970s and 1980s — culling from an original haul of over 2000 sounds — not a dud in the bunch and more than a couple of revelations.  M.B.T’s eponymous “M.B.T.’s Sound” is one of the best on this two-disc set, all brassy swagger and intricate polyrhythmic percussion, as is Orchestre National du Congo’s full-throated celebration “Ah Congo!” with its wild call and response, feral sax play and unhinged drumming.  Lolo et L'Orchestre O.K. Jazz’s “Lolo Soulfire,” sets up a Stax-like groove and lives in it, slouching and swaggering like Booker T in a fever.  Fire.

Jennifer Kelly

Ricki Weidenhof — Church (We Be Friends)

Church by Ricki Weidenhof

A member of Pittsburgh avant-collagists Sneeze Awfull, Ricki Weidenhof examines a life of religious ambivalence and search for identity on their solo album Church. Working through a range of styles that illustrate and amplify those themes, Weidenhof produces an emotionally rich and sometimes challenging fractal mosaic. The wonderfully titled suite “Raptured in Formal Violence” contrasts liturgical solemnity and a babel of religious voices with jittering house to capture that mixture of dread and ecstasy the Church so often induces. At the other of the scale “Dreary Field” is an Arthur Russell inspired idyll of acoustic guitar and cello as Weidenhof singsof the past “I finished that game of hide and seek long ago/Only it was still at play/I remember the last place I had hidden.” “Extinction Meditation” begins in a similar vein, the religious and personal entwined with vivid imagery, before a chaos of multi-tracked vocals, distorted beats, and razor strings. A powerful, heartfelt record that deserves a wide audience.

Andrew Forell

Wormed — Omegon (Season of Mist)

OMEGON by Wormed

It’s hard to say anything meaningful about Wormed — pretty much everything about the band is absurd, or at least verging on it. To identify some key elements of the absurdity: the “vocals” of Jose Luis Rey Sanchez (appearing on Omegon, as always, under the appropriately throaty appellation Phlegeton — Sanchez is likely referring to the mythic river, but all I can think of is phlegm…), for whom the unappetizing term “throat fart” might have been coined; the sheer nuttiness of the band’s tech death wankery, which the band has actually moderated a wee bit for Omegon; the fact that Wormed have been at it since 1999, mostly developing a continuous narrative of a fictional cosmos, full of conflict among evil extraterrestrial forces, multiple timelines and a protagonist named Krigshu (some song titles from this record are indicative: “Aetheric Transdimensionalization,” “Gravitational Servo Matrix,” “Virtual Teratogensis”). You figure it out. Beyond the music — more tech than slam, but still seeking some sort of apotheosis of that quality death metal freaks name “brutality” — what’s most engaging about Wormed is the band’s ability to sustain the absurdity and to seem absolute serious about it. Maybe that makes the Spanish band especially well-suited to our times. Or maybe we just haven’t gotten the joke yet.

Jonathan Shaw

[jgthirlwell]

04.18.24 Samara Lubelski & Marcia Bassett at Le Poisson Rouge

[nnjzz]

MARCIA BASSETT & SERGEJ VUTUC + IGNATZ + EVE ABOULKHEIR

MARDI 10.10

MARCIA BASSETT & SERGEJ VUTUC us / bih IGNATZ / be EVE ABOULKHEIR / fr

chez TREIZE 24 rue Moret 75011 M° Couronnes

P.A.F. 6€

20:00 portes 20:30 action !!!! [ ( 22:30 fin ) ] OUI il s'agit d'un + ou - EARLY SHOW venez à l'heure car on commencera vraiment relativement tôt pour pouvoir terminer au plus tard vers 22:30 MERCI pour votre compréhension !

MARCIA BASSETT & SERGEJ VUTUC us nyc bih paris Marcia Bassett - que nous eûmes déjà plusieurs fois le plaisir d'accueillir - est une artiste sonore et visuelle prolifique, active depuis de très nombreuses années. Membre co-fondatrice de plusieurs groupes importants dont GHQ ( avec Steve Gunn et Pete Nolan), DOUBLE LEOPARDS, HOTOTOGISU ( avec Matthew Bower), ZAIKA ( avec Tom Carter ), elle joue aussi fréquemment en duo avec Samara Lubelski, solo en tant que ZAIMPH ou sous son nom civil et continue divers projets collaboratifs.Parmi ses travaux récents, citons " Midnight Xpander " enregistré dans les fameux studios Elektronmusikstudion EMS à Stockholm ou " À la maison ", fruit d'une résidence parisienne de plusieurs jours avec Ursula Sherrer à la Maison Printing, entité fondée par Cécile Maycec et Sergej Vutuc avec qui elle performera le soir du 10/10.

Boucles de Buchla, home made electronics, field recordings, voix, guitare âpre... Entre drone caverneux, lacérations soniques, dissonances et nappes épaisses et stridences, elle crée un univers claustrophobe où l'on se meut comme happé par un mauvais trip éveillé.

" De la musique psychédélique qui sonne et qui nous évoque un Klaus Schulze lo-fi voire le meilleur des Cosmic Jokers. Élégant, cradingue et lysergique." ( Metamkine )

Nombreuses sorties - entre autres chez Hospital Productions, No Fun, KYEmais aussi sur ses propres labels : Yew Recordings, Heavy Conversation and Heavy Blossom.

Sergej Vutuc, ami de longue date de Marcia est un artiste pluridisciplinaire (photo argentique / musique / dessin / performance ) & nomade, né en "ex-Yougoslavie" - - vit & travaille actuellement à Paris.

IGNATZ / be bxl Alter ego de Bram Devens, talentueux musicien flamand néanmoins bruxellois... En groupe ( The Beautiful Band, Ignatz & De Stervende Honden ..) et surtout en solo, avec une guitare électrique mais le plus souvent une guitare acoustique amplifiée et passée à travers quelques effets, il se spécialise dans un idiome d'Euro-Blues, nourri de l'improvisation.

" ( ses ) chansons découlent d’un cadre folklorique dépouillé, clairsemé, toujours limpide et émotif. Toujours hors des clous, le spectre sonore d’Ignatz navigue dans une sorte de primitivisme à la dérive, quelque part entre le Velvet Underground et Henry Flint. La touche froide voire sombre qui peut s’échapper de ses compositions révèle en réalité une chaleur étouffée et profonde." ( Sonic Protest )Plusieurs albums à son actif dont la plupart chez KRAAK, mais aussi chez Fonal, Feeding Tube Records, Okraina Records ou Ultra Eczema. .

EVE ABOULKHEIR / fr Musicienne électroacoustique prélevant les " bruits du réel " et jouant avec dans ses performances ou installations sonores. " Elle construit ainsi un univers onirique et artificiel, suspendu et hyperactif, à la fois vortex électronique nous aspirant et ballet mécanique développant ses arabesques autour de nous, piégés et fascinés par ces volutes de sons qui se fractalisent comme un kaléidoscope dans lequel sont plongés nos yeux-oreilles. " ( INA / GRM )

Fly - Jo L'Indien

[musicmakesyousmart]

Samara Lubelski & Marcia Bassett - Morning Flare Symmetries

Feeding Tube Records

2020

[bestreasonstowriterecordreviews]

✰ BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2017 ✰

✰✰✰✰✰  5th ANNIVERSARY  ✰✰✰✰✰

It’s time to feast from the grapevine of 2017 with 103 (+ 171 more) of the…  

✰ BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2017 ✰

(all long playing records unless otherwise noted; also, this list was created with links to every item, but the links aren’t appearing, so you’ll have to direct your web browser searches the old fashioned way)

✰✰  TAIWAN HOUSING PROJECT Veblen Death Mask  (Kill Rock Stars) ✰✰

✰  HAND & LEG  Hand & Leg (Black Gladiator)

✰  MARCIA BASSETT & SAMARA LUBELSKI  Live NYC (Feeding Tube) 

✰  CHROMASTHETIC  Gold Sound cassette  (Time Release)

✰  ANTIETAM  Intimations of Immortality (Motorific)

✰  girlSperm  gSp (Thrilling Living)

✰  CHUCK JOHNSON  Balsams (VDSQ)

✰  RODENTICIDE Rodenticide (Self Sabotage)

✰  ANGIE Shyness (Rice Is Nice/DERO Arcade, Australia)

✰  BLOODY SHOW Let America Pay cassette (Superdreamer)

✰  MICHAEL BEACH  Gravity/Repulsion (Spectacular Commodity)

✰  ANTHONY PASQUAROSA  Abbandonato Da Dio Nazione (VDSQ)

✰  ALBERT DEMUTH Corporate Rights 7″ (self-released)

✰  MOUNTAIN MOVERS Mountain Movers (Trouble In Mind)

✰  X-POP  Alphabet Cereal ep cassette  (Chemical Imbalance., Australia) 

✰  DANA Dana (Heel Turn)

✰  GOSPEL OF MARS Gospel Of Mars (Amish)

✰  PRIVATE SORROW  Fake Lions (Mystery Plane, U.K.)

✰  JUDY & THE JERKS  3 Songs cassette (Earth Girl) &  Alive At The Skatepark cassette (Earth Girl)

✰  PIERRE & BASTIEN Musique Grecque (sdz, France)

✰  XETAS  The Tower (12XU)

✰  JAIMIE BRANCH Fly Or Die (International Anthem Recording Company)

✰  STEFAN CHRISTENSEN Shake Off The Village (C/Site Recordings) & Open Day 7″(I Dischi Del Barone, Sweden)

✰  LISE BARKAS & LISA KAÜFFERT Lo Becat cd-r (Soleis Bleus, France)

✰  USA/MEXICO Laredo (12XU)

✰  PREGNANCY Urgency (Emotional Response)

✰  FULLY GLAZED Full Glazed cassette (The Loki Label)

✰  DARK TEA  Dark Tea cassette (self-released) & Bright Flame (bandcamp DL) 

✰  SYLVIA COURVOISIER & MARY HALVORSON Crop Circles (Relative Pitch)

✰  KAY ODYSSEY  What’s A Woman To Do? (Little Bit)

✰  THE DOLL/STEFAN NEVILLE  1974 8″ lathe (stabbies etc, NZ)

✰  CLARINETTE The Now Of Then (Feeding Tube)

✰  ERIK KRAMER A House, Floating In The Middle Of A Lake cassette (Anthropocene Recordings)

✰  AKI ONDA/TASHI DORJI/CHE CHEN ‘HAZ-,BINS cassette (Black Pollen Press)

✰  KATE CARR The Story Surrounds Us cassette (The Helen Scarsdale Agency) & From A Wind Turbine To Vultures (And Back) cassette (Flaming Pines, U.K.)

✰  BLACK TRUMPETS Blue Blew It cassette (Ikuisuus, Finland)

✰  SUSPIRIANS  Ti Bon Ange (Super Secret Records)

✰  YEAR OF BIRDS White Death To Power Alan (Odd Box, U.K.) & Stanhill Wonder 7″ (Third Uncle)

✰  DAVID WEST with TEARDROPS Cherry On Willow (Tough Love, U.K.)

✰  WILLIAM PARKER QUARTETS  Meditation/Resurrection double cd (AUM Fidelity)

✰  the CAVEMEN Banned In B.C. 7″ (Weirdly)

✰  MICHAEL FOSTER & BEN BENNETT In It cassette (Astral Spirits)

✰  PLATES OF CAKE Let’s Not Deprive Each Other cassette (Unblinking Ear)

✰  ZAÏMPH  Transverse Presence cassette (No Rent)

✰  WURLD SERIES Air Goofy cassette (Melted Ice Cream, New Zealand)

✰  HEADROOM Head In The Clouds (Trouble In Mind)

✰  LORDS OF THYME The Future Of Things Past (Feeding Tube/Shagrat, U.K.)

✰  SEX TIDE  Possession Sessions (Feeding Tube)

✰  MARAUDEUR Maraudeur  (bruit direct disques, France)

✰  LES FILLES DE ILLIGHADAD Eghass Malan (Sahel Sounds)

✰  BRANDY Laugh Track cassette (self-released)

✰  LEILA BORDREUIL & ZACH ROWDEN  Hollow cassette (No Rent)

✰  RAYS  Rays (Trouble In Mind)

✰  ANDY REPTOID & THE HUMANOIDS Refridgerator 7″ (Total Punk) & Kill The Comma 7″(Emotional Response) & Pee-Pee EP (Goodbye Boozy, Italy)

✰  GUN SHY Gun Shy cassette (Cheat Prick)

✰  MARK EITZEL  Hey Mr. Ferryman (Merge)

✰  E42. A8 Niobium cassette (Tanuki, Belgium)

✰  BLAU BLAU Kiss Kiss (bandcamp DL)

✰  THE COWBOY The Cowboy (Fashionable Idiots)

✰  MARCELO DOS REIS & EVE RISSER  Timeless cd (JACC, Portugal)

✰   LIZ DURETTE Four Improvisations On Electric Piano (Ehse)

✰   MIDNIGHT MINES Since My Baby Left Me cassette & We Are The Primitives Of A New Era cassette (both The Loki Label)

✰  JENNY & JADE  Day Release 12″ lathe ep (stabbies etc, NZ)

✰  FEMME Chroma (bruit direct disques, France)

✰  PRIVATE ANARCHY Private Anarchy cassette (Round Bale Recordings)

✰  ERIC ARN  Orphic Resonance (Feeding Tube)

✰  PILL Aggressive Advertising cassette (Dull Tools)

✰  GAMARDAH FUNGUS Fairytales cd (Flaming Pines, U.K.)

✰  JON COLLIN Water And Rock Music, Volume I cd-r & The Nature (both Early Music, U.K. )

✰  Killed By Meth #2: Rust Belt Rockers comp (It’s Trash!)

✰  the TERMINALS Antiseptic (Ba Da Bing)

✰  SOURDURE  Mantras triple cassette (Standard in-Fi, France)

✰  The Hired Hands: A Tribute to Bruce Langhorne double cd (Scissor Tail)

✰  GLEN SCHENAU Addressing The Scar cassette (Tropical Cancer, Australia)

EKIN FIL Inflame: Original Soundtrack cassette & Ghosts Inside (both The Helen Scarsdale Agency)

✰  TARA CLERKIN Hello (Stolen Body Records, U.K.)

✰  LEE KONITZ  Frescalalto cd (impulse!, France)

✰  the STROPPIES The Stroppies cassette & It’s A Hit 7″ (Hobbies Galore, Australia)

✰  DELPHINE DORA & MOCKE  Le Corps Défendant (Okraïna, Belgium)

✰ QUIN GALAVIS  The Battery Line (Super Secret Records)

✰  HOUSE AND LAND House And Land (Thrill Jockey)

✰  C.I.A. DEBUTANTE  We Will Play For Spirits cassette (sdz, France)

✰  AILBHE NIC OIREACHTAIGH Oreing (Fort Evil Fruit, Ireland)

✰  the BISCUITS Albatross 7″ (Ilk Ither, New Zealand)

✰  SYLVIA MONNIER Stock Shot & Addictive Sling cassette (Sacred Phrases)

✰  the GOLDEN BOYS Better Than Good Times (12XU)

✰  PALACE LIDO  Concrete cassette (Czaszka Records, U.K.)

✰  MARK FEEHAN  M.F. II (Richie Records)

✰  OBNOX Murder Radio (ever/never) & Niggative Approach (12XU)

✰  ALEXANDER Alexander (self-released) & ROB NOYES/ALEXANDER split 7″ (C/Site Recordings)

✰  TRIO 3: ANDREW CYRILLE/REGGIE WORKMAN/OLIVER LAKE Visiting Texture cd (Intakt, Switzerland)

✰  BARON SATURDAY Concrete Poetry cassette (Mystery Plane, U.K.)

✰  NINA HARKER Nina Harker cassette (Le Syndicat Des Scorpions, France)

✰  DAVID NANCE Do The Negative Boogie (Ba Da Bing)

GOLDEN PELICANS Disciples Of Blood (Goner)

ÆTHER JAG Amaranthine Stretch cassette (No Rent)

GAD WHIP In A Room (ever/never)

YANNICK DAUBY Magicien Rouch cassette (Tanuki, Belgium)

MAX LODERBAUER & JACEK SIENKIEWICZ  End cd (Recognition, Poland)

VÁR  By Ghost And Tape (Home Normal, Japan)

ANGELICA SANCHEZ TRIO Float The Edge cd (Clean Feed, Portugal)

LECH NIENARTOWICZ Nici cassette (Dinzu Artefacts)

EKMAN & OWEN Ekman & Owen 7″ (Goodbye Boozy, Italy)

POU  Dimonis  (Metadona, Spain) 

HANS CHEW  Open Sea (At The Helm)

DALIA RAUDONIKYTÉ WITH Solitarius cd (New Focus Recordings)

GŪTARA KYŌ  Gütara Kyō  10″ (Slovenly/Mondo Mongo)

TUCKER THEODORE  Lady Hope cassette (Antiquated Future)

MIA SCHOEN Golden Hour (Albert’s Basement, Australia)

THE STRANGER The Void (bandcamp dl)

LAKES Silver Thorns 12″ EP (Paradise Daily, Australia)

Horrendous New Wave comp (Lumpy)

CHRIS FORSYTH & THE SOLAR MOTEL BAND Dreaming The Non-Dream (No Quarter)

TASHI DORJI & DAVID GRUBBA  Fixed Entrance Derivatives cassette (Sky Lantern)

SAMUEL TRUITT Thorns cassette (Melters)

HELTA SKELTA  Nightclubbin’  7″ (Deranged, British Columbia, Canada)

UV-TV Glass (Deranged, British Columbia, Canada) & Go Away 7″ (Emotional Response

HASH REDACTOR  Demo Tape 2017  (self-released bandcamp DL)

LEE NOBLE  The Hell You Come In cassette (No Kings)

PRETTY PRETTY Demo II cassette (Superdreamer)

AGUSTÍ MARTÍNEZ/EDUARD ALTABA/QUICU SAMSÓ On The Nature Of Will (Discordian bandcamp DL, Spain)

the TRENDEES  We Are Sonic Art (Melted Ice Cream, NZ/Albert’s Basement, Australia)

GREG ASHLEY  Pictures of Saint Paul Street (Trouble In Mind)

DAVE REMPIS  Solo cd  (Aerophonic)

TIN FOIL Tin Foil (Almost Ready)

HACO Qoosui cd (Room40, Australia)

PETER LEWIS Just Like Jack (Shagrat, U.K./Hookah)

PROSTITUTES Live At Cookout  (TRAM Planet)

ANTENES Shifting Zones 12″ (Silent Season, Canada)

LOFT Three Settlements Four Ways 12″ (Wisdom Teeth, U.K.) & Turn My Built Dances (The Astral Plane)

NEUTRALS  Promotional Cassette 2 cassette (Neutrals)

JOE MORRIS/BRAD BARRETT/ERIC STILLWELL Value (Glacial Erratic  bandcamp DL)

DARLINGCHEMICALIA Off Blonde (self-released bandcamp DL)

WV WHITE House Of The Spiritual Athletes (Anyway)

CHAVEZ Cockfighters 12″ (Matador)

RYAN GARBES  Living Ether cassette (Post-Materialization Music, Russia)

TRAMPOLINE TEAM Drug Culture 7″ (Space Taker Sounds/Pelican Pow Wow) & Trampoline Team/Mama split 7″ (Giveaway)

LAURA BAIRD  I Wish I Were A Sparrow (Ba Da Bing)

MAREIKE SAUER The Tension and the Body of the Woman of Mystery cd (Karl Schmidt Verlag, Germany) 

FNU CLONE Binary Or Die (Total Punk)

DAN MELCHIOR  Road Not Driving (ever/never)

$UN $KELETONS GET IT UP YERS TRIO R.I.P. Music & Absolutely Fucked In & Rust Belt UK cd-rs (Double Dot Dash!?, U.K.)   

VIOLENCE CREEPS Ease The Seed Bag 7″ (Drunken Sailor, U.K.) & The Gift Of Music + Singles cassette (Total Punk) & Northwest Tour Tape 2017 (self-released)

ERIC COPELAND Courtesy, Professionalism, Respect (L.I.E.S.)

WIREHEADS  Lightning Ears (Tenth Court, Australia)

DANIEL LEVIN  Living (Smeraldina-Rima, Belgium)

the COWBOYS Vol. 4 (Drunken Sailor, U.K.)

IRENE KEPL SololoS cd (Fou, France) & Superstring Theory bandcamp download (SoundOut, Australia)

VIDEO DUCT Small Pets And Kitchenettes cassette (Maple Death, Italy)

SCUPPER Some Gauls (Blue Cheese Toothpaste)

MOSQUITOES Mosquitoes one sided 12″ (self-released, U.K.)

BLUE CHEMISE Influence On Dusk (Gravity Ventilator, Australia) & “The Music Lesson”/”Watcher At The Window” 7″ (I Dischi Del Barone, Sweden)

CONTRIBUTORS Contributors (Monofonus Press)

NICOLE MITCHELL Awakening II: Emerging Worlds cd (FPE)

KALEIDOSCOPE  Volume 3 (Feel It Records)

Ladyfest Boston 2017 cassette comp (Ladyfest)

BRIDGET HAYDEN  Incantations From Yin Valley cassette (Fort Evil Fruit, Ireland)

MIKE COOPER Raft (Room40, Australia)

MAZOZMA Heavy Death Head (Feeding Tube)

SUSS CUNTS Suss Cunts 7″ ep (Emotional Response) & “Newby” (Suss Cunts bandcamp DL)

MATT JENCIK  Weird Times (Hands In The Dark) 

somesurprises serious dreams cassette (Eiderdown Records)

CIGGIE WITCH Mad Music (Lost & Lonesome, Australia)

SUN VALLEY Black Canyons (bandcamp DL)

MORDECAI Abstract Recipe (Richie Records)

JANTAR Panisperna (MIE Music, U.K.)

SARAH DAVACHI  All My Circles Run (Students Of Decay)

KÜKEN  Küken (Drunken Sailor, U.K.)

ULAAN PASSERINE The Landscape of Memory (Worstward)

MY TEENAGE STRIDE Living In The Straight World cassette (Unblinking Ear)

SLOW TONGUED BEAUTY  The Absolution Of Royalty cassettes (No Rent)

DAVID FIRST Same Animal, Different Cages Vol. 3: Civil War Songs (for Solo Harmonica)  (Fabrica)

REBEKAH HELLER  Metafagote (New Focus Recordings)

DIANETICS Booked Learned 7″ (Weirdly) & And Psycho Horse cassette (Gut Freak)

SPARROW STEEPLE Steeple Two (Richie Records) & A Aardvark (ever/never)

WEATHER WEAPON II (self-released bandcamp DL)

KRISTY & THE KRAKS  Snakes On The Phone 7″ (Fettkakao, Austria)

STEPHAN CRUMP/INGRID LAUBROCK/CORY SMYTHE Planktonic Finales cd (Intakt, Switzerland)

NAG “Motorcycle Blue” + 2 7″ (Third Uncle/Chunklet) & False Anxiety 7″ (Total Punk) & No Flag + 2 7″ (Space Taker Sounds)

ROSS MANNING  Reflex In Waves (Room40, Australia) & 

Both Sides of the Cocoon cassette (Chemical Imbalance., Australia)

DANIEL LEVIN QUARTET Live At Firehouse 12 cd (Firehouse 12)

RAKTA Oculto Pelos Seres 7" (La Vida Es Un Mus Discos, U.K.)

MARBLED EYE EP II 7" (Melters/Digital Regress)

RIK & THE PIGS Blue Jean Queen 7″ (Feel It) & A Child’s Gator  (Total Punk)

US WEEKLY  US Weekly (Night Moves)

KEN IKEDA + DAVID TOOP Skin Tones cd (Home Normal, Japan)

L$D FUNDRAISER Drones On Lap Steel (self-released, NZ) + like, 30 others

MDOU MOCTAR  Sousoume Tamachek (Sahel Sounds)

CHIHEI HATAKEYAMA  Mirage (Room40, Australia)

the DREAM SYNDICATE  How Did I Find Myself Here? (Anti-)

DAY CREEPER  A Mirror To The Fire (Heel Turn/Superdreamer)

LITTLE MAZARN Little Mazarn (Self Sabotage)

BAUS Secret Bathroom Recordings (self-released bandcamp DL)

MARK CONE Now Showing (Neck Chop)

LÉONIE RISJETERRE Tresseterre cd (Soleils Bleus, France)

ENDLESS BOOGIE  Vibe Killer (No Quarter)

MCHY I PORØSTY Hypnagogic Polish Music For Teenage Mutants cd (Recognition, Poland)

DAG  Benefits Of Solitude (Bedroom Suck, Australia)

ANGEL DUST Excavatum cassette (Dinzu Artefacts)

MAXIMUM ERNST with DANIEL CARTER  Maximum Ernst cd (ever/never)

BALLISTER: REMPIS/LONGBERG-HOLM/NILSEN-LOVE  Slag cd (Aerophonic)

RABBIT U.S. Rabbit U.S. lathe 7″ (Third Uncle)

INSTITUTE Subordination (Sacred Bones)

RUBBER MATE  Cha Boi  7″ (Total Punk) & Tour Tape MMXVII cassette (self-released)

MARY LATTIMORE Collected Pieces cassette (Ghostly International)

VERY MENTAL (Total Punk)

UNITED WATERS  The Narrows (Drawing Room)TYSHAWN SOREY Verisimilitude (Pi Recordings)

A GIANT DOG Toy (Merge)

DREAM WEAPON RITUAL The Uncanny Little Sparrows (Boring Machines, Italy)

SMALL WORLD EXPERIENCE Soft Knocks (Tenth Court, Australia)

DIRTY & HIS FISTS Dirty & HIs Fists 7″ (Feel It) 

ABBY LEE TEE  Hebert’s Archive cassette (Dinzu Artefacts)

BLANK STATEMENTS  Signs Are Rampant cassette (Hobbies Galore, New Zealand)

NOTS“Cruel Friend"/"Violence" 7″ (Goner) &  Live At Goner Records (Goner)

LEA BERTUCCI  All That Is Solid Melts Into Air cassette (NNA Tapes)

SICK THOUGHTS Songs About People You Hate (Neck Chop)

MOHLAO Landforms (Silent Season, Canada)

ISOTOPE SOAP Piñata Chaos 12" (Levande Begravd Records, Sweden) & The WOW! Signal EP 7" (Levande Begravd Records, Sweden)

JIM HAYNES Tiny Portraits 3″ cd-r (Flaming Pines, U.K.)

ISS (Endless Pussyfooting)  (Erste Theke Tonträger, Germany)

PREENING Beeters 7″ (Digital Regress)

MIKE MAJKOWSKI  Days And Other Days cassette (Astral Spirits)

RANGERS Texas Rock Bottom cd (Doom Trip)

KNOWSO Look At The Chart (Neck Chop)

CIRCUIT DES YEUX  Reaching For Indigo (Drag City)

WHIT DICKEY/MAT MANERI/MATTHEW SHIPP Vessel In Orbit cd (Aum Fidelity)

SWEET APPLE Sing The Night In Sorrow (Tee Pee)

LEDA ‎Gitarrmusik III-X (Förlag För Fri Musik, Sweden)

TROPICAL TRASH  Decisions' Empty Nest 7″ ep (Sophomore Lounge) &  A Dent In The Forever Can  cassette (The Loki Label)

GUILHEM LACOUX  La Traversée double cassette (Standard in-Fi, France)

IAN WILLIAM CRAIG Slow Vessels 12″ ep (130701, U.K.)

MOZART Nasty 7″ep (Iron Lung)

TREASURE HUNT with DENNIS WARREN’S FULL METAL REVOLUTIONARY ENSEMBLE  Space Jam cassette (Moon Glyph)

CENTURY PALM Meet You (Deranged, British Columbia, Canada)

GATE  Highway Ghosts (self-released, New Zealand)

the FEELIES  In Between (Bar None)

SCHIZOS  Fuck Iggy Pop 7″ (Neck Chop)

VIOLENT QUAND ON AIME  Violent Quand On Ame 7″ (Le Syndicat des Scorpions, France)

HONEY New Moody Judy (Wharf Cat)

ANXIETY  Wild Life 7″ (La Vida Es Un Mus Discos, U.K.)

EARTH GIRL HELEN BROWN  Mercury & Mars & Saturn cassettes (all Empty Cellar)

the BLINDS The Blinds cassette (Hobbies Galore, Australia)

FRENCH VANILLA  French Vanilla cassette (Danger Collective)

HEAVY METAL  LP 2 (Static Age Musik, Germany) & LP 3 (Harbinger Sound, U.K.)

fEEDTIME  Gas  (In The Red) 

REESE McHENRY w/ SPIDER BAGS Bad Girl (Sophomore Lounge)

BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2016

BEST REASONS TO WRITE FUCKIN’ RECORD REVIEWS IN 2015

BEST REASONS TO WRITE FUCKIN’ RECORD REVIWS IN 2014

BEST REASON TO WRITE FUCKIN’ RECORD REVIEWS IN 2013

From November 2017: A LIST OF WORTHY CAUSES TO WHICH YOU MIGHT WANNA THINK ABOUT DONATING...Coalition To Stop Gun Violence, Save DACA Lives  via Here To Stay, Planned Parenthood, The Trevor Project, National Abortion And Reproductive Rights Action League (NARAL), Southern Poverty Law Center, Emily’s List, etc....

From November 2015: FUCKIN’ RECORD REVIEWS HOLIDAY SHOPPING GUIDE WITH EMPHASIS ON THE LEGACY OF THE FUCKIN’ RECORD REVIEWERS FEATURED HEREIN - and associated small biz combustibles! 

✰  2018 PREDICTION: LONG HOTS! ✰  

[still-single]

new HEATHEN DISCO for June 7th, 2020: LISTEN

Back in there. Lots of new music in this week’s show. It’s all on Mixcloud: https://www.mixcloud.com/mosurock/heathen-disco-with-doug-mosurock-show-212-7-june-2020/

Tracklist below:

Art Ensemble of Chicago - People in Sorrow (pt. 2)

Anna Högberg Attack - Tjuv

Jim White and Marisa Anderson - Gathering

The Terminals - Edie

Lynn Blessing - Emerald River

Nico - Little Sister

Choir Boy - Complainer

Sonic Boom - I Feel a Change Coming On

Tim Stine Trio - Object

No Age - Smoothie

No Trend - Teen Love

Munehiro Narita - Human Nature

Pailhead - Don't Stand in Line

CP/BW - A Thing That Thinks

Run the Jewels - The Ground Below

Chad Taylor Trio - Matape

Laurine Frost - Seeing No Ghost

Bailter Space - The State

Public Enemy - Contract on the World Jam/Brothers Gonna Work it Out

The Soft Pink Truth - Multinationella Mördare

CB Radio Gorgeous - The Devil

Golden Retriever and Chuck Johnson - Lupine

False Brother - Artificial Terrain

Vladislav Delay/Sly Dunbar/Robbie Shakespeare - (512)

Bohannon - Run it On Down Mr. DJ

Tony Joe White - Don't Steal My Love

ONO - Scab

LITHICS - Twisting Vine

Vertical Slit - Fair Exchange/Maid in Heaven

Dustin Laurenzi's Snaketime - Behold

The Eighteenth Day of May - Seven Dials

Linda Hoyle - Pieces of Me

Jodo - I'm Still Trying

Laughing Clowns - Stinking to High Heaven

TALsounds - Instance

Samara Lubelski and Marcia Bassett - Ridge Street Connection

[samaralubelski]

Marcia Bassett/Samara Lubelski Live Gig from August 17, 2019 at Indexical/Radius Gallery in Santa Cruz, CA - https://indexical.bandcamp.com/track/live-8-17-19

Pic By Hall of Famer, Dan Brown

[burpenterprisejournal]

HEIDRUN SCHRAMM AND JD ZAZIE DUO AT AUSLAND

2017/11/20 MARCIA BASSETT / SAMARA LUBELSKI HEIDRUN SCHRAMM / JD ZAZIE    Ausland Berlin - DE

Duos night organized by Liebig12 and Ausland. Marcia Bassett (guitar) + Samara Lubelski (violin) First performed as a duo in 2009, improvising musical scores to films by Michael Snow and Hollis Frampton at X-Initiative, Next Years Model series at DIA. Since their initial collaboration, Bassett and Lubelski have continued to draw from their like-minded approach to improvisational music; creating personal interplay with the environmental surroundings to expand on abstraction, chromatic noise, and long form drone.Both Bassett and Lubelski have extensive backgrounds in the East Coast /NYC sub-underground. Bassett has performed in experimental music projects for over twenty years including "Un", "GHQ", "Hototogisu", "Double Leopards" and her solo project "Zaimph". Lubelski is best known as a solo artist with eight full-length releases, but she has also been involved in various art-music provocations, "Hall of Fame", "Tower Recordings", as a member of Thurston Moore’s band, and in her associations with the long-standing German collective "Metabolismus".

Heidrun Schramm (electronics) + JD Zazie (electronics) Opening act by Berlin based artists Jd Zazie & Heidrun Schramm improvising on material from their recent and first collaborative project "Railroad Concrète". Heidrun Schramm's work includes intermedia composition and audiovisual installation. Her electroacoustic concepts employ source material from acoustic instruments, objects, and field recordings. The staged results are hybrid forms between acousmatic concerts, performance art, and installation. The initial point of her work can be an incidental noise or discreet tone, simply happening in a given situation. Schramm's work has been performed, exhibited, and screened in festivals, venues and galleries such as: Heroines of Sound Festival Berlin, Kunstverein Gera, One Minute Film Festival Aarau/Switzerland, Velak Gala Vienna, Blurred Edges Festival Hamburg.

JD Zazie is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background, JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound. In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material. She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.

Doors open at 20:00 Concerts start at 20:30

Ausland Lychenerstr. 60 Berlin - DE

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[uneminuteparseconde]

Des concerts à Paris et autour

Novembre 08. Vincent Epplay (fest. FAME) – Médiathèque musicale de Paris|Forum des Halles (gratuit) 08. Zola Jesus – Point FMR 08. The Wedding Present plays "George Best" – Petit Bain 08. The Horrors – Trabendo 08. Lea Bertucci + Sun Color + Gaël Segalen + Minifer – Les Nautes 09. Matt Elliott (fest. Monte le son) – médiathèque musicale (gratuit) 09. Chantal morte + Lèche-moi – Cirque électrique 09. Electric Electric + Carrageenan + CIA débutante – La Station 09. Fractales – Totem 09. The World + Exit Group + Youth Avoiders – La Mécanique ondulatoire 09. Annabelle Playe (Biennale Nemo) – Le Cube (Issy-lès-Moulineaux) 09. Qui & Trevor Dunn + We Insist! – Le Triton (Les Lilas) 10. Red Zebra + Pour X raison – Supersonic (gratuit) 10. Golden Oriole + Lotte Anker + Réservé aux insensés (fest. Coax) – Centre Barbara-FGO 10. Clemix + Nina Harker + Heimat – Shakirail 10. The Disease – L'Alimentari 10. Lumpy & The Dumpers + Pierre & Bastien – Olympic café 10. Maud Geffray + Voiron + Krampf – Petit Bain 11. Emmanuelle Parrenin + Volvo – Le Zorba (gratuit) 11. Keith Fullerton Whitman + Chris Watson + Thomas Köner [+ Biosphere : ANNULÉ] + Éliane Radigue (diff.) – Maison de la radio 11. Andi (Synthicide) – Magazine bar 11. Honey Harper + Couleur TV + Saada Abe + Rovar17 & Syporca Whandal + Medhy Briand – La Pointe Lafayette 11. Rien virgule + Mette Rasmussen & Julien Desprez + Sarah Terral (fest. Coax) – Instants chavirés (Montreuil) 12. Marcia Bassett + Samara Lubelski + :such: – L'Armony (Montreuil) 13. Thisquietarmy + Emboe + Grim Lake – Supersonic (gratuit) 13. Liars – La Maroquinerie 14. Shannon Wright + Elias Dris – Gaîté lyrique 14. BJ Nilsen + Thomas Tilly + Les Acharnistes – Instants chavirés (Montreuil) 15. Igorrr – La Maroquinerie ||COMPLET|| 15. Nosfell – Café de la danse 16. NSDOS + Watchin' with Milesdavisquintet ! (Biennale Nemo) – La Dynamo (Pantin) 16/17. Kristoff K.Roll : A l'ombre des ondes (fest. d'Automne) – La Pop 17. Exoterrism + Jean Bender + c_c – L'International (gratuit) 17. Trisomie 21 + The Saint-Cyr + Rendez-Vous – La Machine 17. Dälek – Batofar 17. Marisa Anderson – Le Zorba 17. Up-Tight + France – Instants chavirés (Montreuil) 17. Transglobal Underground feat. Natacha Atlas + Asgaya – Le Tamanoir (Gennevilliers) 17. Perc + Henning Baer + Absl + Phuong-Dan – Concrete 18. Mr D & The Fangs + Nick Grey & The Random – Supersonic (gratuit) 18. Stranded Horse (fest. Monte le son) – médiathèque musicale (gratuit) 18. Essaie pas + Nova Materia + Colombey – La Maroquinerie 18. Kristoff K.Roll : A l'ombre des ondes (fest. d'Automne) – La Pop 18. Operant + Verset Zero + Kollaps – Olympic café 18. Synopterus + In Zaire + Paulie Jan – La Station 18. Planetary Assault System + Kmyle + Parfait + Raär – Nuits fauves 18. Terence Fixmer + Morbeck + Umwelt + H880 + Paramod + Millimetric – tba 18. Max Richter : Sleep – Le Studio|Philharmonie de Paris ||COMPLET|| 19. Ulver – La Machine 19. Agnostic Front + Bishops Green – Gibus 19. Thurston Moore – Café de la danse 20. Ulrika Spacek + Halo Maud – Point FMR 21. Sun Kil Moon – Gaîté lyrique 21. Metz + Decibelles + Drahla – Trabendo 21>24. Pierre-Yves Macé & Joris Lacoste (festival d'Automne) – Espace Pierre-Cardin 22. Hørd + Moment – Olympic café 22. Annabelle Playe & Hugo Darcier + Robert Piotrowicz + Floris Vanhoof (fest. Bruits blancs/Biennale Nemo) – Anis Gras (Arcueil) 23. Sophia + Dead Horse One – Espace B 23. Clan of Xymox + My Great Blue Cadillac – Bus Palladium 23. Modeselektor (dj) + Tijana T + Simo Cell – Rex Club 23. Carl Michael Von Hausswolf + Julien Ottavi + Jean Philippe Gross (fest. Bruits blancs/Biennale Nemo) – La Muse en circuit (Alfortville) 24. Emma Ruth Rundle – Espace B 24. Laibach – Trabendo 24. Vincent Epplay + Häk – Studio Plus 30 24. Escape-Ism + Subtle Turnhips + Laurence Wasser – Olympic café 24. Arnold Dreyblatt + Prescott + Borja Flames (BBMix fest.) – Carré Bellefeuille (Boulogne-Billancourt) 24. Ensemble Ire (Kasper Toeplitz & Franck Vigroux) + ErikM + Benjamin De la Fuente (fest. Bruits blancs) – Anis Gras (Arcueil) 24. Zombie Zombie + Aufgang – Le Tamanoir (Gennevilliers) 24. Scorpion violente + Badaboum + Theoreme – Instants chavirés (Montreuil) 25. Stranglers – La Cigale 25. Mount Kimbie – Trianon 25. Mark Lanegan – Café de la danse 25. Protomartyr + Pierre & Bastien – La Maroquinerie 25. Raymond D. Barre + Deleaurivière + Vonverhille + M-O-R-S-E + Mundopal + Apulati Bien – La Station 25. Etienne Jaumet, Peter Kember & Céline Wadier : La Monte Young Tribute + Colleen + Accident du travail (BBMix fest.) – Carré Bellefeuille (Boulogne-Billancourt) 25. Dynatron + Christine + Mlada Fronta – La Clef (Saint-Germain-en-Laye) 25. Camerata Mediolanense chante Pétrarque (fest. Les Festives) – église Saint-Germain-de-Paris (Hardricourt) 25. Phase fatale + Silent Servant + Varg + Broken English Club + December – La Machine 26. Quator Tana joue "Mishima" de Philip Glass – Collège des Bernardins 26. Ropoporose + Die!Die!Die! – Batofar 26. James Holden & The Animal Spirits + Groupshow (Andrew Pekler, Jan Jelinek & Hanno Leichtmann) + Paalma (BBMix fest.) – Carré Bellefeuille (Boulogne-Billancourt) 27. Marilyn Manson – Bercy|Arena 28. Chapelier fou – Le 104 28. John Zorn & Abraxas + Autoryno + Garth Knox – New Morning 28. Totorro + La Jungle – Badaboum 30. Kukangendai + Golem méacanique – Instants chavirés (Montreuil) 30. Simon Fisher Turner : The Picture from Darkness (Biennale Nemo : Optical Sound) – Le Cube (Issy-lès-Moulineaux) (gratuit) 30. Hector Oaks + Takaaki Itoh + HeaT – Rex Club

Décembre 01. The Driver + Arnaud Rebotini + Yan Wagner + Maud Geffray + Cabaret contemporain – Trabendo 01. Go!Zilla + Osica – La Station 01/02. Puce Moment : "Crumbling Land" (fest. New Settings) – théâtre de la Cité internationale 02. Carl Craig & Francesco Tristano + Bambounou + Chloé feat. Vassilena Serafimova : tribute to Steve Reich + Fabrizio Rat : La Machina (fest. Marathon!) – Gaîté lyrique 02. Frustration + Komplikations + Plomb – La Clef (Saint-Germain-en-Laye) 03. Depeche Mode – Bercy|Arena 07. Eloïse Decazes & Eric Chenaux (fest. Monte le son) – CHRS Louvel-Tessier (gratuit) 07. Les morts vont bien + Petass + Paolo Técon – La Station 07. Diemo Schwarz : musique pour "Wolfson" d'Anne Ropers (Semaine du bizarre) – théâtre Berthelot (Montreuil) 08. Punish Yourself – La Maroquinerie 08. Balladur + L'Etabli + Ficken Chipotle – Le Chinois (Montreuil) 09. Plug (Biennale Nemo) – Le 104 (gratuit) 09. Roro Perrot – Le Chair de poule (gratuit) 09. Charles de Goal + Rendez-Vous + Super Besse – La Maroquinerie 09. Pascal Comelade, Ivan Telefunken & Charles Berberian + Sophie Agnel & Jérôme Noetinger (dessin) (Semaine du bizarre) – théâtre Berthelot (Montreuil) 09. Norscq + Jesus Crise + Dj Click + Quantizer (a.k.a. Dither) + Black Sifichi + Amadeo 85 + Sylvgheist Maëlström – La Marbrerie (Montreuil) 10. Chocolat Billy & Sam Mary (Semaine du bizarre) – théâtre Berthelot (Montreuil) (gratuit sur résa) 12. Le Club des animistes (Vincent Epplay & Ravi Shardja) (Semaine du bizarre) – théâtre Berthelot (Montreuil) (gratuit sur résa) 12. Zayk + Hyperculte – Centre culturel suisse 12. Snap + Martin Messier (Biennale Nemo) – La Dynamo (Pantin) 13. Thee MVPs + Los VVS + Stratocastors – Supersonic (gratuit) 12. The Ex – Instants chavirés (Montreuil) 13. KasbaH + Transglobal Undeground feat. Natacha Atlas (fest. Les Aventuriers) – Espace Gérard-Philippe (Fontenay/Bois) 15. Jessica93 + Bryan's Magic Tears – La Maroquinerie ||COMPLET|| 15. New Model Army – Trabendo 15. The Frank & Walters – Petit Bain 15. Déficit des années antérieures + TWVSTCG (Semaine du bizarre) – théâtre Berthelot (Montreuil) 15. Cannibale + Marietta + Frustration (fest. Les Aventuriers/ 10 ans de Born Bad) – Espace Gérard-Philippe (Fontenay/Bois) 15. Oiseaux-Tempête – Paul B. (Massy) 15. Rodhad + Vril + Kobosil + Nur Jaber – Concrete 15/16. Éléonore Auzou-Connes, Emma Liégeois & Romain Pageard jouent "Musiques de table" de Thierry De Mey – La Pop 16. Ensemble électron (Semaine du bizarre) – théâtre Berthelot (Montreuil) (gratuit sur résa) 16. Marius Loris + Les Hôpitaux (Semaine du bizarre) – théâtre Berthelot (Montreuil) (gratuit sur résa) 18. Jessica93 – La Maroquinerie 23. SP23 – Glazart

2018

Janvier 13. Amenra – Gaîté lyrique 23. Uriel Barthélémi (Biennale Nemo) – Le Générateur (Gentilly) 24. Mouse on Mars – Petit Bain 25/26. Emmanuelle Parrenin & Tomoko Sauvage – La Ferme du Buisson (Noisiel) 26. Chloé – Gaîté lyrique 26. Alex Augier + Paul Jebanasam & Tarik Barri + Daniele Ghisi + Rune Clerup + Alexander Schubert (Biennale Nemo) – Cité de la musique|Philharmonie 30/31. Pierre-Yves Macé & Joris Lacoste (festival d'Automne) – L'Apostrophe (Cergy-Pontoise) 31. Doplereffekt & AntiVJ : "Entropy" (Biennale Nemo) – L'Avant-Seine (Colombes)

Février 02. Uriel Barthélémi, Gaspar Claus & Maude Trudet (Biennale Nemo) – Le Générateur (Gentilly) 03. Frustration + Crisis – Petit Bain 03. Nils Frahms – Yoyo|Palais de Tokyo ||COMPLET|| 09. Croisières Dolori + France sauvage – Instants chavirés (Montreuil) 15. Franck Vigroux & Laurent Gaudé : "Le Chant des ombres" – L'Ecam (Le Kremlin-Bicêtre) 16. Radian + David Rothenberg & Scanner (Biennale Nemo) – La Dynamo (Pantin) 19. Son Lux – La Cigale 24. Omar Souleyman – Yoyo|Palais de Tokyo

Mars 01. The Pains of Being Pure at Heart – Petit Bain 07/08. Ryuchi Sakamoto & Shiro Takatani (Dumb Type) : "Dis.Play" – Maison de la Culture du Japon 23. PurForm + TRDLX (Biennale Nemo) – Grande Halle de La Villette 23. Pierre Henry + Anabelle Playe + John Chantler + Bill Orcutt + Anthony Child (Présences électronique) (Présences électronique) – Maison de la radio|Studio 104 24. Alva Noto & Anne-James Chaton : Alphabet (Biennale Nemo) – Grande Halle de La Villette 24. Else Marie Pade + :such: + Bellows + Phonophani + The Caretaker (Présences électronique) – Maison de la radio|Studio 104 25. Jacques Lejeune + Chris Corsano + Ben Vida & Marina Rosenfeld + Mads Emil Nielsen + Gravetemple (Présences électronique) – Maison de la radio|Studio 104

Avril 21. Igorrr – Trabendo 26. Ought – La Maroquinerie 28. She past away + Lebanon Hanover + Selofan – La Machine 28. Arcade Fire – Bercy Arena 30. Koudlam + Bajram Bili + Pointe du lac – La Maroquinerie

en gras : les derniers ajouts / in bold: the last news

[crushingdeath]

CHARALAMBIDES + GLORIAS NAVALES

Fri 23rd Nov @ The Blue Moon, Norfolk St, CB1 Doors 8pm, £10 adv (+b.f.) from here

A unique double-bill of lo-fi basement psychedelic music from North and South America.

CHARALAMBIDES

A surprise re-emergence of the legendary Texas duo of Tom and Christina Carter, key figures in the ‘New Weird America’ underground scene of the last decade of the previous century and the first decade of this. The unravelling long-form guitar figures, haunted vocal blues and all-out noise that featured as the bedrock elements of their sound became a template followed subsequently by many of their contemporaries, and were represented across numerous private press LPs and CDrs. Their importance is also highlighted by their frequent individual projects with a range of others including Bill Orcutt, Loren Connors, Heather Leigh, Samara Lubelski, Marcia Bassett and Sunburned Hand Of The Man.

Charalambides are undertaking a European tour in support of a self-titled double-album of new songs. They are returning to Cambridge for the first time since the night that Zinedine Zidane was sent off during the 2006 World Cup final.

http://www.wholly-other.com/charalambides.html https://charalambides.bandcamp.com/

GLORIAS NAVALES

An extremely rare European performance from this enigmatic Chilean ensemble, known, if at all, for a cult album released on KYE Records, Graham Lambkin’s legendary label dedicated to outsider music. Suffused in tape-hiss and room-tone, and culled from a selection of live and studio recordings, that record used a limited selection of traditional and self-invented acoustic instruments (ocarina, Rabel fiddle, ukulele, ‘Bailes Chino’ bass drum, guitar) to present a repetitive, basic and hermetically-sealed form that may or may not be folk, improv or devotional music. They are touring Europe in support of a second LP, ‘Glorias Navales Presenta El Blues de Istvan’, to be released in October on LA-based label A Wave Press.

https://gxnx.bandcamp.com/

[tinymixtapes]

Premiere: Samara Lubelski - “Circles Bend”

We here are not unsympathetic to the concerns of our readers. We’ve heard your cries for more Samara Lubelski, and we not only understand completely, but we’ve also got the goods: a premiere of her new video, “Circles Bend.” The track is the latest single from Lubelski’s otherworldly new album Flickers at the Station. Released just last week on Drawing Room Records, the album is a wonderfully strange brew of hypnotic sonic whirls, of which the “Circles Bend” is a dreamy highlight. Check below for the multi-colored celluloid hallucinatory experience, as well as Lubelski’s upcoming live dates. Samara Liveski: 05.18.18 - Moers, Germany - Moers Festival # 05.26.18 - Stuttgart, Germany - Neue Schachtel % 06.16.18 - Northampton, MA - Root Cellar ^ 06.17.18 - Montréal, QC - Casa del Popolo ^ # as part of Nate Wooley’s Seven Storey Mountain % record release party for Flickers at the Station with Moritz Finkbeiner, Thilo Kuhn and Werner Notzel ^ duo with Marcia Bassett http://j.mp/2Ld8gJH

[mysticruler]

UPCOMING SHOWS

3/9/2019 at Secret Project Robot (Brooklyn, NY) with Tiera del Fuego / Kyle Avallone / Jeremy Wilson Cox / Nicholas Stevens

PAST SHOWS

2/21/2019 at CEREMONY (Brooklyn, NY) with Reg Bloor & Marc Edwards / Tidal Channel / Pulcinella / Bentley Anderson & Nicholas Stevens

6/23/2018 at SAINT VITUS (Brooklyn, NY) with Lee Ranaldo / Greg Fox / Bentley Anderson & Mystic Ruler

6/14/2018 at THE GLOVE (Brooklyn, NY) Crazy Doberman / Bentley Anderson & Mystic Ruler / Cyanide Tooth / Gabi Losconcy

5/9/2018 at H0L0 (Ridgewood, NY) Thollem/Chase / Muyassoar Kurdi / Bentley Anderson & Mystic Ruler

4/15/18 at ELSEWHERE (Brooklyn, NY) with Martin Rev & Divine Enfant / Wolf Eyes Music 2018 in collab w Humanbeast / Insect Ark (record release show) / DJ Christian Lee (Dolores Boys) — Doors 7pm $15 adv, $20 door

5/9/18 at H0L0 (Queens, NY) with Thollem & Brian Chase / Muyassar Kurdi – Doors TBA

5/29/18 Pittsburgh, PA at THE TUB with Autumn / Pool / Cloning – Doors TBA

5/30/18 Columbus, OH at CAFE BOURBON ST with Mike Shiflet – Doors TBA

5/31/18 Lafayette, IN at THE SPOT TAVERN with Rotting Signal / CZERN – Doors TBA

6/1/18 Chicago, IL at THE EMPTY BOTTLE with Martin Rev & Divine Enfant / Wolf Eyes Music 2018 – Doors 9pm $20

6/23/18 at SAINT VITUS BAR (Brooklyn, NY) with Lee Ranaldo / Greg Fox – Doors TBA

3/30/18 at WONDERS OF NATURE (Brooklyn, NY) with Samara Lubelski & Marcia Bassett / Spencer Herbst – Doors 8pm $10

3/11/18 at THE ROOT CELLAR (Greenfield, MA) with Sunburned Hand Of The Man / Eve Essex / Kayla Guthrie / Noise Nomads – Doors 8pm FREE

3/4/18 at BERLIN (New York, NY) with Bay Uno / Völuspa / DJ OJ Xray – Doors 8pm $10  

1/13/18 at SUNVIEW LUNCHEONETTE (Brooklyn, NY) Honeysuckle Hynagogue with Jantar / Poetry by James Symington IV, Toniann Fernandez, Adrienne Herr  — Doors 8pm FREE

1/6/18 at EL CORTEZ (Brooklyn, NY) with Trinary System / Munic Hoof — Doors 7pm $8

12/2/17 at SAINT VITUS (Brooklyn, NY) WOLF EYES with MV Carbon / Weeping Icon / Martin Bisi / Bentley Anderson + Nicholas John Stevens (Mystic Ruler) [ tape release on www.decontrol.net ] / dj: Sannhet — Doors 7pm $13 adv, $15 night of

7/14/17 at H0L0 (Brooklyn, NY) with Blue Jazz TV / Bentley Anderson / Das Audit — Doors 8pm $8

9/30/16 at MUCHMORE’S (Brooklyn, NY) with Bentley Anderson / Savini Psoas / Himiko Doors 9pm $5

6/21/16 at TRANS-PECOS (Queens, NY) Decontrol Tapes launch party with Barry London (Oneida) / Jordi Wheeler (Amen Dunes) / Bentley Anderson (VBA) — Doors 8pm $10 9/20/15 at SAINT VITUS (Brooklyn, NY) with Martin Rev (Suicide) / One Prayer One Sin / Courtship Ritual — Doors 8pm $15 ***RECORD RELEASE***

9/7/15 at TRANS-PECOS (Queens, NY) – Performing as member of Pete Vogl's Melts

8/26/15 at BIZARRE BAR (Brooklyn, NY) with VUK / Savini Psoas / KO — Doors 8pm FREE

8/20/15 at SHEA STADIUM (Brooklyn, NY) with One Prayer One Sin / Savini Psoas / KO / ZZZ Walk — Doors 8pm $8

7/27/15 at PIANOS (Manhattan, NY) with Opal Onyx / KO / Crucifix Trio / Balto Sequoia — Doors 7pm $8

7/12/15 at PALISADES (Brooklyn, NY) with Plan 23 / Algis Kizys / Crucifix Trio — Doors 3pm $5

7/06/15 at TRANS-PECOS (Queens, NY) DIAMOND TERRIFIER and DAS AUDIT present PRACTICE with Das Audit / Cripple Double / Jay Hines – Doors 8pm FREE

6/30/15 at SILENT BARN (Brooklyn, NY) with Minimal Brutus / Das Audit / Savini Psoas – Doors 8pm $8

5/8/15 at TRANS-PECOS (Queens, NY) with Lost Coves / Savini Psoas – Doors 8pm $8

4/23/15 at THE COBRA CLUB (Brooklyn, NY) with Cripple Double / Savini Psoas – Doors 8pm $5

[inspireif]

#Repost #lilyruskroda ・・・ This Friday! Mar 30th. 🔮Samara Lubelski & Marcia Bassett duo/Spencer Herbst / Bentley Anderson & Mystic Ruler ✨⚡️✨Poster by #spencerherbst

[nnjzz]

SAMARA LUBELSKI + METABOLISMUS + GLORIAS NAVALES /

Le Non_Jazz - - - - - lundi 19-Nov 2018 20:00 portes ... .. SAMARA LUBELSKI / us GLORIAS NAVALES / cl METABOLISMUS / de us Les Nautes 1, Quai des Célestins 75004 M° Sully-Morland 6€ P.A.F. =================================== SAMARA LUBELSKI / us nyc Multi-instrumentiste (violon,  guitare, basse, violoncelle, mellotron ..) new-yorkaise, active dès le milieu des années 90s et impliquée dans plusieurs groupes : Sonora Pine, Of A Mesh, Metabolismus, Hall of Fame, the Tower Recordings, Jackie-O Motherfucker, MV & EE and the Bummer Road et enfin (?) le groupe de Thurston Moore, Chelsea Light Moving. Elle fut aussi "ingénieuse de son" travaillant sur les enregistrements de Double Leopards, Magik Markers, The Fiery Furnaces, Black Dice, Oneida, Sightings, Mouthus ... & aussi guest musician - chez les mêmes ou bien sur les disques de Tara Jane O'Neal, White Magic, Graham Lambkin, Sunburned Hand of the Man, God Is My Copilote, entre autres ... Son premier album solo est paru en 2003 et depuis elle en a publié sept autres. Deux facettes se distinguent nettement dans son travail : d'une part, un versant plus expérimental, tendant vers le drone, manifeste dans ses duos : le plus récurrent avec Marcia Bassett, d'autres, avec Bill Nace ou Ryan Sawyer. .. D'un autre côté elle poursuit un pendant pour un song-writing intimiste dans une veine 'psych-folk' où son penchant expérimental point ça et là dans les textures et micro-détails des arrangements et production. Pour la sortie de son 45T "Did You See / Spectacular of Passages" Forced Exposure disait : "A sweet little dose of hushed and fragile melancholy folk-pop-drone fluttering. Samara's unmistakable slow-bliss songforms are at their most stripped down and psychedelically entwined, with thick hovering violin tones, distant reverbed atmospheres and gentle swirls of quivering guitar feedback all lifting things just high enough. Totally bleary-eyed and beautiful, hitting that perfect spot just between your heart and gut." NB / Le Non_Jazz avait accueilli Samara Lubelski pour la première fois il y a exactement 9 ans ! bon, OK à un jour près - quelques images (animées) suivent pour le prouver, accompagnée à ce moment-là comme cette fois-ci par ses amis allemands de METABOLISMUS. https://samaralubelski.bandcamp.com/ https://www.youtube.com/watch?v=rJbHvBRHoHE https://www.youtube.com/watch?v=iX0JD0kU874 https://www.youtube.com/watch?v=AhMXVd5T4wk https://www.youtube.com/watch?v=tVwqt3MC1LQ

METABOLISMUS / de us stuttgart

Formé à Stuttgart dans les années 80s, ce collectif à géométrie variable et aux facettes multiples, pratique un joyeux patchwork sonore que l'on pourrait qualifier de kraut-psych-free chamanique - avec d'occasionnelles incursions du côté de la pop sixties.

"Whether it be lo-fi pop, free improvisation, sixties psychedelia or music concrete tape manipulation, like the Sun City Girls (who formed around the same year) Metabolismus 'metabolizes music' of all styles, shapes and forms; for this release, they transform Crass' screed 'Do They Owe Us a Living' into a Canterbury classic and resituate Brian Brain's 'Asthma Game' into the delicate pastoral landscape of their native Germany" (AMISH RECORDS)

https://www.forcedexposure.com/Artists/METABOLISMUS.html

https://www.youtube.com/watch?v=WKQjuvURXCY

https://www.youtube.com/watch?v=wJcqFRDterk

GLORIAS NAVALES/ cl  santiago

"Formé en 2013, les chiliens de Glorias Navales viennent de sortir leur premier album sur le label de Graham Lambkin, Kye.

Volontiers post Velvet Underground, le collectif dont l’instrumentarium se compose de guitares, ukulele, rabel et bombo chino (tambour), pose une étrange combinaison de folklore local, de paganisme et d’esthétique nonchalante.

Imaginez Lou Reed, John Cale et Violeta Parra s’adonnant à un jam acoustique dans les bas fonds de Santiago… "(Instants Chavirés, 2017)

" The group get together regularly in a private space in Santiago to jam out a type of late night campfire trance music, bridging the gap aesthetically and stylistically between Chilean folk music (ala Violeta Parra) and ramshackle post-Velvets psychedelia. Their sound – crafted on acoustic guitars, violin and stomp box – have resulted in stunning releases; ‘Carta a Maureen Tucker’ ETCS and ‘Cofradia Nautical’ on Graham Lambkin’s KYE label. Join us for a raw, unvarnished walkway straight into heart the of the contemporary Chilean underground. " (Cafe OTO)

Pour cette tournée une incarnation plus électrique de la formation risque de se produire ... Suspense ... ..

https://gxnx.bandcamp.com/

https://awavepress.bandcamp.com/album/glorias-navales-presenta-el-blues-de-istvan?fbclid=IwAR2MBWeFrOKPPYdtvjpoI2nLEOJqiLrhjFD7kXf4wiLiG1a7lRfJv9fCZY4

Fly :: Jo L'Indien

[nnjzz]

MARCIA BASSETT / SAMARA LUBELSKI + ERO BAABA + :SUCH: + ROGER MPR /

Un N_J "un peu" à l'arrache - une fois n'est pas coutume -

aura lieu CE DIMANCHE 12-11-2017

avec

MARCIA BASSETT / SAMARA LUBELSKI /us ERO BAABA / qc fr :such: / fr ROGER MPR / fr

à l'Armony 39 rue Edouard Vaillant Montreuil M° Croix de Chavaux

ATTENTION ! ! EARLY SHOW !

18:00 !

5€

================================

MARCIA BASSETT / SAMARA LUBELSKI /us nyc Une collaboration de longue date entre ces deux artistes incontournables de l'undergound US, se retrouvant avec plaisir & régulièrement malgré leurs agendas de projets solo ou collaboratifs bien remplis, passés ou récurrents (citons pêle-mêle : Double Leopards, Hototogisu, GHQ, Zaika, Zaimph, etc , pour la première, et Tower Recordings, Hall of Fame, Metabolismus, Chelsea Light Moving (aka Thurston Moore Band ... pour les amateurs du name dropping) en ce qui concerne la seconde.

Le Non_Jazz qui les avait déjà accueillies à deux reprises pour chacune mais jamais les deux en même temps est ravi de pouvoir le faire cette fois-ci !

Violon amplifié, guitare électrique, électronique plus ou moins customisée et / ou faite maison, tel est le postulat de base à partir duquel le duo établit une osmose intuitive / avec un naturel (de l'ordre d'une évidence) remarquable, naviguant entre des vastes envolées drone plutôt sombres et / ou psychédéliques, ou s'aventurant vers des improvisations parsemés de quelques aspérités harsh, toujours néanmoins avec une forte teinte méditative.

Trois albums (vinyl) à ce jours sur trois labels différents : Kye, Golden Lab & Feeding Tube Records.

A propos du dernier, "Live NYC", Byron Coley écrit ceci : "(...) The two sets were recorded on different nights, at different venues, and their sound is as variated as could be. The first side, recorded by Bob Bellerue at Knockabout Center, is a tale of twinned and lightly fuzzed tones, twirling and blending in the air like a lost track from Heldon's It's Always Rock & Roll (1975) (or maybe a Fripp & Eno radio broadcast from 1974). The threads of sound absolutely phosphoresce. It's an incredible mix of motion, stillness and power all wrapped up in a psychedelic diaper. The other side, recorded by Kevin Reilly at Trans Pecos sounds more like some crazy BBC Radio Workshop soundtrack to a Peter Cushing science fiction tragedy. The feel is pure outer space, with all the vast emptiness and glittering promise that implies. I'm having a hell of a hard time figuring out which approach I like better. But they're both incredible sonic shards."

IMMANQUABLE !

https://www.youtube.com/watch?v=VhnSJ6nbu1A

https://www.tinymixtapes.com/music-review/marcia-bassett-samara-lubelski-sunday-night-sunday-afternoon

https://www.youtube.com/watch?v=v1IcCudu6PQ http://www.forcedexposure.com/Artists/BASSETT.AND.SAMARA.LUBELSKI.MARCIA.html

ERO BAABA / qc fr S'asticotant dans un corps-à-corps plus ou  moins glandu (ou tendu : c'est selon), ces deux-là n'y vont pas par quatre chemins, ni d'ailleurs avec le dos de la cuillère, s'escrimant qui sur sa guitare de déchetterie / électronique plus ou moins  cheapos / qui sur son saxophone / ou synthé (modulaire), s'apostrophant, se marrant, s'égarant, s'étalant en pétarades free, et autres dérives / "délires" enfiévrés, divaguant, et barbotant allégrement dans un déluge de postillons sonores bien envoyés. https://vimeo.com/52879883 https://www.youtube.com/watch?v=FRcwf47dY7k https://www.youtube.com/watch?v=onD7hUM9Bxo

:such: / fr aka Marc Parazon, "compose et interprète une musique électroacoustique DIY ludique et inquiétante. Un cinéma pour oreilles rêveuses.

Lauréat du Prix du jury au Festival des cinémas différents et expérimentaux de Paris, ce preneur de son indépendant (il travaille notamment dans le cinéma documentaire et de fiction) utilise un instrumentarium, essentiellement composé de magnétophones à bande, lui permettant de spatialiser ces sons venus d'ailleurs. Crépitements fantastiques, citations méconnaissables, réverbérations hypnotiques, envolées magnétiques, collages volatilisés et lyrisme acousmatique. Entre rêve et réalité augmentée, le spectateur est plongé dans une fanfare concrète unique fabriquée sur l'instant." (Sonic Protest)

https://vimeo.com/161354956

https://suchasound.wordpress.com/ https://soundcloud.com/suchsuch

ROGER MPR / fr repère, sur des 'skeuds de merde' trouvés sur son lieu de travail ou au hasard des MP3 (NB / j'ai longtemps cru que son nom de scène était 'Roger MP3') glanés dans les poubelles les plus inavouables des internets, des (bouts de) pistes qui l'interpellent, les dépouille, les touille et re-touille, les étire ou ampute des pousses qui dépassent, pour en composer sa propre version d'un certain enfer fait de sons.

En live, cependant cela peut avoir peu à voir et virer vers carrément autre chose, l'individu s'affairant sur un beau dispositif de trucs qu'il manie avec un certain talent et un talent certain.

https://hyletapes.bandcamp.com/album/unproductive-muzak https://rogermpr.bandcamp.com/ Fly :: Thomas No Lagos